"The Painter", 1928, woodcut
"Aneri Resting in an Orchard", 1918, watercolour, 27.7 x 37.7 cm, private collection
"Aneri in a Deck Chair", 1918, watercolour on Bristol board, 26.3 x 37.7 cm, private collection
"Aneri Lying on a Bench", 1918, watercolour, 24.1 x 30.4 cm, private collection
"Aneri in an Armchair", c. 1916, oil on canvas, 150 x 99 cm, private collection
"Aneri Lying in a Deck Chair in Front of the House in Kalwaria", 1913, watercolour on cardboard, 21.8 x 29.9 cm, private collection
"Aneri in a Garden", 1913, watercolour on Bristol board, 21.8 x 30.5 cm, private collection
"Aneri on a Bench on the Background of Roses", 1913, watercolour on cardboard, 30.3 x 22.3 cm, private collection
"Aneri Writing a Letter", 1911, pencil, 21 x 16.9 cm, private collection
A drastic rejection of accepted principles of depiction was made in the youthful works of Wojciech Weiss. The impact of Stanislaw Przybyszewski and his theory of the "naked soul", a source of fascination for the Cracow milieu, endowed these paintings with ecstatic expression, whose violence and pan-eroticism are comparable only with the art of Edvard Munch, the great Norwegian artist of the period.
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