Jacek Malczewski .........(17)
(Radom July 15, 1854 - October 8, 1929 Cracow)


Portrait of Leon Pininski Self-Portrait with Mieczyslaw Gasecki Christ and the Samaritan Woman

"Portrait of Leon Pininski", 1926, oil on canvas, 65 x 55 cm, Lviv Art Gallery, Lviv, Ukraine
"Self-Portrait with Mieczyslaw Gasecki", 1921, oil on canvas, 101.8 x 60.5 cm, Lviv Art Gallery, Lviv, Ukraine
"Christ and the Samaritan Woman", 1912, oil on cardboard, 92 x 72.5 cm, Lviv Art Gallery, Lviv, Ukraine

Woman Sitting Tobias and Three Angels Christ before Pilate

"Woman Sitting", sketch, c. 1908-10, oil on canvas, 246 x 133 cm, Lviv Art Gallery, Lviv, Ukraine
"Tobias and Three Angels", 1922, oil on cardboard, 21.5 x 48 cm, Lviv Art Gallery, Lviv, Ukraine
"Christ before Pilate", 1910, oil on cardboard, 65 x 80,5 cm, Lviv Art Gallery, Lviv, Ukraine

Tryptych with Self-Portrait Self-Portrait with Fauns. Triptych Coming of Winter

"Tryptych with Self-Portrait", 1906, Lviv Art Gallery, Lviv, Ukraine
"Self-Portrait with Fauns. Triptych", 1906, oil on cardboard, Lviv Art Gallery, Lviv, Ukraine
"The Coming of Winter", 1881, watercolour on paper, 44 x 28 cm, Lviv Art Gallery, Lviv, Ukraine

Jacek Malczewski made his only statement in painting; his immensely rich oeuvre remains ever intriguing and artistically uneven. The first stage was the so-called Siberian cycle, illustrating the torment of Polish deportees, portrayed naturalistically or filtered through the mystical poetry of Slowacki. During the Young Poland period, Malczewski created his own unique symbolic vocabulary in which corporeal and robust figures of chimeras, fauns, angels, and water sprites appear both in allegorical portraits, innumerable costume-clad self-portraits, landscapes, genre and religious scenes and, finally, in compositions which do not correspond to any thematic conventions. The art of Malczewski is dominated distinctly by two motifs, recurring and assorted painterly embodiments: the vocation of art and the artist, and death, under the antique form of Thanatos. The Malczewski oeuvre is the most vivid example of an intermingling of folk motifs and an anti-classical, Dionysian vision of antiquity, typical for Polish modernism; the artist achieved a peculiar polonisation of ancient mythology, not only by placing chimeras and fauns in a Polish landscape but also within an historical-national context, which ultimately proved to be regarded as the most important by this pupil of Matejko. [*]

Artist’s paintings in: malarze.com

Artist biography at Wikipedia: http://en.wikipedia.org/wiki/Jacek_Malczewski

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